September 16, 2014

isabellebenoitblr:

Christophe Lemaire FW 2014 seen by The Line

(via keanswon)

September 16, 2014
jinyongkim:

허재혁
www.thepeoplepurple.com

jinyongkim:

허재혁

www.thepeoplepurple.com

(via shyshounen)

September 16, 2014
sonofaodh:

COMME des GARÇONS HOMME PLUS 1985 SS first collection

sonofaodh:

COMME des GARÇONS HOMME PLUS 1985 SS first collection

(via alexanderkutscera)

September 16, 2014
inu1941-1966:

illustration: katsuhiro OTOMO

inu1941-1966:

illustration: katsuhiro OTOMO

(via hapaism)

September 14, 2014

slashwithaknife:

needles

(Source: nepenthes.shop-pro.jp, via nameishi-san)

September 13, 2014
fatphilipp:

A LOOK

fatphilipp:

A LOOK

September 13, 2014
fatphilipp:

S/S 2005 _ Arena Homme+ _ Line 0 _ Peter Doherty wearing a shirt printed with lipstick kisses

fatphilipp:

S/S 2005 _ Arena Homme+ _ Line 0 _ Peter Doherty wearing a shirt printed with lipstick kisses

(via fatphilipp)

September 12, 2014
dekonstruktivisme:

Véronique Leroy autumn—winter 1998—99.
Véronique Leroy, who works in Paris, won the Gouden Spoel (Golden Spindle) competition in 1989. She was the first and only non-graduate of the Antwerp Fashion Academy (she studied at Studio Berçot in Paris) to win this prestigious award. After her studies she worked for a while as an assistant to Azzedine Alaïa and Martine Sitbon. In 1991 she presented her first collection.
Véronique Leroy has developed her own signature, with seemingly relaxed radicalness and an aversion to trends and avant-garde. Her designs are just incredibly feminine and sexy. She stands for radical, ‘unguarded’ elegance, and she always went, already in times when fashion was still dictated by minimalism, for an uncompromising ‘sensuel de l’éclat’ (the sensuality of brilliancy). 
She converts anything which ‘better’ taste labels vulgar into ‘sublimely vulgar’. She replaces ‘noble’ materials with common ones, which she elevates in her creations by treating them just as respectfully. She uses materials like lurex, vinyl, polyester and fake fur, or synthetic leather-imitations, superimposing prints that feature from predators to marsupials. 
And goes on to add bright colours, such as pink, apple green and gold. The finish? As perfect as perfect can be. To quote the last paragraph of a poem that Stéphanie Cohen wrote about her: Her soul is not black, her skin not white./She is full of colours, way off trends/Her life is not clear, her fashion not a rose,/her tongue is rather clear, for the one that can hear. 

dekonstruktivisme:

Véronique Leroy autumn—winter 1998—99.

Véronique Leroy, who works in Paris, won the Gouden Spoel (Golden Spindle) competition in 1989. She was the first and only non-graduate of the Antwerp Fashion Academy (she studied at Studio Berçot in Paris) to win this prestigious award. After her studies she worked for a while as an assistant to Azzedine Alaïa and Martine Sitbon. In 1991 she presented her first collection.

Véronique Leroy has developed her own signature, with seemingly relaxed radicalness and an aversion to trends and avant-garde. Her designs are just incredibly feminine and sexy. She stands for radical, ‘unguarded’ elegance, and she always went, already in times when fashion was still dictated by minimalism, for an uncompromising ‘sensuel de l’éclat’ (the sensuality of brilliancy). 

She converts anything which ‘better’ taste labels vulgar into ‘sublimely vulgar’. She replaces ‘noble’ materials with common ones, which she elevates in her creations by treating them just as respectfully. She uses materials like lurex, vinyl, polyester and fake fur, or synthetic leather-imitations, superimposing prints that feature from predators to marsupials. 

And goes on to add bright colours, such as pink, apple green and gold. The finish? As perfect as perfect can be. To quote the last paragraph of a poem that Stéphanie Cohen wrote about her: Her soul is not black, her skin not white./She is full of colours, way off trends/Her life is not clear, her fashion not a rose,/her tongue is rather clear, for the one that can hear. 

September 12, 2014

nock-nock-nock:

Ichi the Killer - Takashi Miike Film (2001)

styling : Michiko Kitamura

(via yohjihatesfashion)

September 12, 2014

(Source: fuckyeahdroptokyo)

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